IRANICA: ACKNOWLEDGMENTS: PHOTO CREDITS
INTRODUCTION Donald Wilber: D. Wilber, Adventures in the Middle East ([Princeton], 1986). Arthur Upham Pope: B.D. Wood, “A great symphony of pure form’: the 1931 International Exhibition of Persian Art and its influence,” Ars Orientalis 30 (2000). EXCAVATION: HOME Mosque of Savah: E. Schmidt, Flights over ancient cities of Iran (Chicago, 1940), Pl. 30. EXCAVATION: ESSAY Plain of Rayy: E. Schmidt, Flights over ancient cities of Iran (Chicago, 1940), Pl. 43. Hagop Kevorkian: M. Jenkins-Madina, “Collecting the ‘Orient’ at the Met,” Ars Orientalis 30 (2000), 69-89, Fig. 2. Ayoub Rabenou: S. Littlefield, Doris Duke’s Shangri La (Honolulu, 2002), p. 48. FRAGMENTATION: HOME “Portrait Plate”: The Kelekian collection of Persian and analogous potteries (Paris, 1910), Pl. 84. FRAGMENTATION: ESSAY Exhibition of Masterpieces of Muhammedan Art: F. Sarre and F.R. Martin, Die Ausstellung von Meisterwerken muhammedanischer Kunst (Munich, 1910-1912), I.ii. Dikran Kelekian: Metropolitan Museum of Art Bulletin 52 (1999), p. 65. “Portrait Plate”: The Kelekian collection of Persian and analogous potteries (Paris, 1910), Pl. 84. Roger Fry: R. Shone, The art of Bloomsbury (Princeton, 1999), Cat. No. 141. PRESERVATION: ESSAY Henri Vever: G.D. Lowry and S. Nemazee, A jeweler’s eye: Islamic arts of the book from the Vever Collection (Washington, 1988), Fig. 1. Shah Zav: G.D. Lowry and S. Nemazee, A jeweler’s eye: Islamic arts of the book from the Vever Collection (Washington, 1988), Pl. 10.
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